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“It’s All A Set-Up” — Halloween: Resurrection

October 18, 2008

HALLOWEEN: RESURRECTION (2001)
d. Rick Rosenthal 

In spite of bringing back director Rick Rosenthal (Halloween II), and in spite of a fairly plausible explanation for bringing back Michael Myers, this film totally squanders the energy and freshness from the H2O reboot and settles for a mediocre meta-commentary on horror films (more successfully explored in Scream) and reality television/media that feels several years too late to be relevant.

The film begins with Laurie Strode in lock-down at a psych ward; she pretends to be medicated (stashing the pills in a doll) while waiting for the inevitable arrival of her brother. It is revealed that Michael switched places with a paramedic, and that the paramedic was the one who Laurie decapitated in the last film. So when Michael arrives, it becomes immediately apparent that the quality of script is not on the same level as the previous film; for one thing, characters do stupid things, they die.

For example, after hearing his partner getting killed, a security guard investigates and comes across a laundry dryer, and in a gag reminiscent of the scene in Part 6, decides for no reason to open it to check its contents. Nothing motivated this action beyond sheer plot contrivance for a boring kill; even the manner in which Michael appears (lowering himself one-handed from the ceiling) steals from a previous film.

The opening sequence climaxes with a confrontation between Laurie and Michael on the roof of the sanitarium. Having successfully ensnared him, Laurie does the unforgivable act of trying to unmask The Shape; of course this leads to her downfall and one very angry fan. What an insulting way to end her character’s journey, especially after how strong she was at the end of the last film.

Once Laurie Strode is killed off, I wondered “How the hell are they going to motivate Michael now?” Well, apparently the plot proper kicks off with a group of college kids taking part in a webcast set in the Myers household. What attempts to be a meta-commentary on the horror film genre as a whole, the Halloween films in particular, media manipulation in general, film voyeurism, and the sex vs. violence debate only comes off as a snarky, half-thought out dull film that just happens to have Michael Myers in it.

The group of kids are hardly engaging or as sympathetic as the group from H2O, as it includes that unfunny dude from American Pie and Katee Sackhoff (Battlestar Galactica) doing her facial tic schtick.

So it’s ho-hum as Michael winnows down the group of kids while they cry for help directly addressing the camera Blair Witch-style. The only highlight: Busta Rhymes in a Michael Myers mask cussing out the actual Michael Myers. It is also the lowlight of the entire series (Thorn cult notwithstanding).

One star.

Well, this wraps up the Halloween franchise marathon; too bad it ends on a downer. Next up, the psychic thriller, Patrick.

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2 comments

  1. Yep. It sucked. Big time.


  2. They should’ve stopped with Part 7.



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